My Continuums are pieces of music for rubbed percussion. They are characterised
by the acoustic emission of sounds.
At first I used cymbals, but I quickly started looking for any kind of objects,
often found objects of different compositions; which after a few transformations,
allowed me to continue to develop this sound material and motion work.
My Continuums have unusual sonic textures, they escape traditional percussion
registers. They test the limits of our perception: from infra to ultrasonic,
by playing phase shifts. They insert themselves into the intimacy of sound matter,
through micro sounds, and we are presented with an audio saturation by noise
The flow of these sounds evokes both restraint and excess, immersion and timelessness.
After 6 years to practice this solo performance
The Continuum sound challenge of the beginning
progressed toward an conceptual sound process using the circumambulation.
3 essentials elements working in "correlation" fr (relation and dependence)
.The architecture volume and his resonance, the atmospherique space condition
.The quality of leveling of the floor and his nature.
.The specific audience presence